Showing posts with label women in music. Show all posts
Showing posts with label women in music. Show all posts

Friday, September 30, 2016

News and Muse: September 30th, 2016

Today at 11AM Kathleen Hanna (the Julie Ruin /Bikini Kill) will be talking with Meredith Graves (MTV/ Perfect Pussy) live for the Talkhouse Music Podcast.

Oh no! This is how a woman really sounds when she sings? The weirdest thing I have read in ages is the technical evaluation of the new Lady Gaga single that some people find to be nails on a chalkboard. Some listeners can't wrap their head around a singer belting out a melody without the technology to clean it up so it sounds inhumanly in tune and like an unfeeling robot. I am baffled by the unnecessary push back to this very common approach to recording vocals.

In more befuddling reads, there are a lot of people who still buy CDs and Noisy wanted to know WTF. Hint, some people like physical stuff, enjoy the full journey of following a release from start to finish-getting the artist's full story, there is loyalty to the artist, that is how I listen to music in my car, I don't know how to download or I don't trust digital files, and you are probably over the age of 30.

Spotify is in "advanced talks" to buy SoundCloud; so much room for potential or disaster. Either way it threatens Apple music and will allow Bandcamp to remain more of an indie artist favorite when compared against these European superpowers in digital music.

"Girls Own Love" is an all female Andrew W. K. tribute band from Athens, Ga that features Kay Stanton who is currently also playing with Pylon Reenactment Society and Casper & the Cookies.

Amoeba in Berkeley, California goes green meaning they just got license to sell marijuana.

There is a battle brewing over the digital download cards that may or may not be included in that new record you just bought. Love 'em or hate 'em, there are lots of interesting opinions here from various record label owners.

Well that was fast; goodbye G.L.O.S.S., we hardly knew ya.

Sheila B, one of my favorite ladies and an extraordinary DJ (tune in today to WFMU to hear why) recently toured Europe and recapped it for fans here. Cha Cha Charming indeed.

Montreal has a public vinyl archive at the Never Apart Gallery and venue and it tells a story you once had to stay up very late to hear.

Congrats to Kathleen Brennan for receiving an award for writing "Song Lyrics of Literary Excellence"! If only some of the bigger press outlets called you by your name rather than just Tom Waits' wife. We know that a woman is more than who she is married to.

Harlem based producer Veronica Lauren turned bedrest from a botched spinal injury treatment into music.

Dolly is a beacon of strength for women. Oh come on. There is only one Dolly and we all know it.

This remarkable computer program essentially reads data and can turn it into music. Listen to the sound of climate change and learn more about this musical technology that will forever change how our brains can take in information. Woo your elitist music snob friends when you tell them your new favorite genre is "data sonification'.

Vinyl record sales are down 9.1% this year but we all already knew that the bubble has vinyly burst - right? See what I did there?

This interview with the Chicago rapper Noname also features her new album and both are worth your time.

What does The Boss have to do with one feminist's life journey?

There is a 16 year old editor in chief of a hopelessly cool biannual that showcases youth talent. Elise By Olsen started "Recens Paper" at age 13 which should all make us feel like we should probably all be doing more with our lives right about now.

Mexican duo Lorelle Meets the Obsolete has a new album out entitled Balance and why aren't more music sites talking about it yet?



Tuesday, September 20, 2016

Janis Joplin on Paper

You may have noticed a Janis Joplin documentary on Netflix currently called Little Girl Blue that includes Chan Marshall aka Cat Power  narrating.

Here is the trailer to that film:


Janis is best known for her unbridled vocal performances and wild child charisma however she first began expressing herself through drawing and painting in grade school. The film never goes into her interest in making art or her original desire to be a fashion designer so I took to the internet to seek out some of these sketches myself.

I love this snapshot (below) of her drawing the scarecrow from Oz. It is particularly wild to see Janis looking more like a cast member of Leave it to Beaver as a kid.

Her transition into life as an outcast began in grade school when she stood up against segregation in Texas when few in her community would. She was threatened for her belief in equality as well as mercilessly teased for bad skin, frizzy hair, and being slightly overweight all throughout her school years. Her response was to explore art, read beat writers, start dying her hair, and spend weekends hanging out drinking in Blues bars with a small circle of beatnik friends - all the opposite of what accepted ladylike behavior was by the mainstream. The peak of cruelty from others came when she was named "Ugliest Man on Campus" by Texas University frats in college. She left Texas and tried never looking back however the years of being tormenting had already taken their toll. Drinking and taking drugs were one coping mechanism but luckily for music fans, so was overcoming her haters to pursue her passion of making music.
 
"You are what you settle for"
                                   -Janis Joplin
 
 
Janis Joplin never settled. She was the child of a 1940s/1950s reserved family living in an equally conservative state yet she had the courage to push back against the masses no less allowed herself the freedom to reinvent herself. She defied her gender expectations by being among the first women to use screaming to enhance her vocal performances. She looked exactly as she pleased, including a tattoo which was nearly a half century before it was trendy no less acceptable for a women to have. She crossed color barriers by belting out her own raw take of the Blues. She was as a single, bi-sexual woman forging her way in a mostly male dominated music world. She had no mentor cutting the path for her. She led the way alone. The making and eventually breaking of this star had a lot to do with being a victim of bullying (eventually also leading to her body dysmorphia). For nearly a decade she carried a relentless drive to show the world that she was worthy of love and had something special by channeling that pain and self doubt into her art. The tragic irony of her life is the strife that helped fuel her talent would also be the same thing that helped extinguish her flame.

Friend of Joplin's Country Joe McDonald once stated that "Sexism killer her." and this quote haunts me. Janis refused to buy into conventional beauty or what a female front person should behave/sound like and she paid the price for it. She was finally earning the love and respect she craved from fans but for most of her short life, her trusted inner circle never delivered the kind of support system she needed desperately. Joplin also sadly lacked the self love to rise above the criticism. She found it difficult to escape feelings of loneliness and never learned to cope with the lows that followed the high of performing to large and enthusiastic audiences that wasn't in a bottle or drug.  

Joplin's life was over by the unbelievably young age of 27 in 1970. Her official cause of death was a heroin overdose but her heart had also been broken one too many times. We have had the opportunity to hear her bravely express herself unlike anyone who came before her through her voice but I appreciate seeing an added dimension to her character through her pictures.

The bulk of Janis Joplin's artwork below was created before music took over from approximately age 12 to 20.








As a final side note, in my search online I discovered that Joplin's niece Malyn Joplin has created a fashion line inspired by Janis called Made for Pearl.

Friday, July 22, 2016

Feminist Friday: A Weekly Round Up for July 15, 2016

Talent and beauty can't coexist according to so many male journalists. Seriously, when will women be written about as artists and not highly sexualized dolls?

And speaking of annoying press habits, how about a story on Juggalos being the new Ravers and the LA Weekly that needs to be proven by showing pictures of scantily clad women. Try harder LA Weekly.

Do all female event lineups actually help or hurt our cause since it stresses our gender over the art we make?

Grace Jones is replacing M.IA. as the Afropunk London headliner.

Public service announcement: There are "professionals" trying to use LinkedIn like Tinder. Check out when a "nice website for nice people" turns into shark infested waters.

As electronic music enters classrooms a a way to teach children about music making, what does this mean for the future of this genre in 10 or so years? I can't wait to find out.

Kenny and I are still mourning the end of our record label this year but I love reading about a couple who run one of my favorite American record labels currently, Trouble In Mind.

It is really hard to be your best at anything (music or otherwise) when our health and female bodies are grossly stigmatized and unserved. Girls also tend to be more anxiety prone, why is that?

Michelle Obama and Missy Elliott rocking out in a car with James Corden is the BEST THING I HAVE SEEN OR HEARD ALL WEEK.

Backyard report, get to know one of my favorite local musicians (that velvet voice!) and a fabulous feminist to boot Julie Karr. Also Sisterhood of Hip Hop season 3 includes an artist we booked at Richmond's Fall Line Fest, Audra the Rapper (from DC/ Virginia Beach)

And in things that have made my friend's week, I think The Julie Ruin covering Courtney Barnett is the best thing they have heard or seen all week.

In other riot grrrl news, you can wear a piece of its history - via an Ebay auction right now.

One more piece of grrrl news, you can help fund a film on this very subject, all 25 years of it.

My fluff piece of the week, play a record in a whole new way - like a guitar.

Gillian McCain talks Please Kill Me twenty years later.

Her story (IE women in music) is an important party of punk's HIStory. Viv Albertine to the rescue!

Goth at 40 is a nice reminder that age is a stupid thing and music we love is forever.

A Friday Flashback to Containe, a band that included Fontaine Toups from Versus and at one point Georgia from YLT on drums.

What could be more important to music fans than a scientific discovery that could reverse hearing loss?

Sharon Jones discusses the fight of her life (fuck cancer!) and isn't willing to give up hope via the Soul Sisters podcast.

Don't know anything about the Fluxus art movement? I have a remedy for that. Spoiler, it involves women doing amazing things in art, including graphic design, performance pieces, and sound.


Friday, July 15, 2016

Feminist Friday : A Weekly Round Up for July 8, 2016

St. Vincent covered The Golden Girls theme. Sure, I will take this ethereal distraction from my otherwise mostly depressing social media feed.

Is it that there are fewer women in music than men currently or do we blame the people of power in the industry for excluding us from venues, publications, festivals, offices, and label rosters? Meaning we are here, get used to it, and hire us damn it. The Guardian has some answers. Harvard Business Review also offers some related insight to confidence of women in the workplace. Apparently unless we also radiate competence and warmth, we will continue to be looked over. Damned if we do, damned if we don't.

Pittsburgh has a three day music festival that celebrates women in music called Ladyfest that kicks off today.

Music fan's interest in the long player continue to wane as singles and EPs cycle back to meet our ever diminishing attention span. I don't care about trends. As a musician who loves the creative process of creating a whole album; building a story that has a beginning, middle, and end, I will ignore this data and carry on as I please.

Did you know Jean Smith from Mecca Normal is also a stunning painter? I am obsessed with her very affordable portraits.

Indie record store owners are reminded that the major labels really don't give a crap about them. This week WEA will stop selling music to accounts who purchase less than 10k a year from them. Perhaps someone can tell me, does this mean ADA who is a part of that umbrella also cutting off these smaller record stores? For those of you who aren't familiar, ADA is a music distro that is one stop shopping tha represent some of the biggest and best indie music labels in the business and the very stores who have helped to make those record labels household names will no longer be able to purchase their catalog. Yikes. The music industry desperately needs more DIY distributors. Record stores need product to sell and it is impossible to go direct with every label or band they like. They rely on distributors to help keep their stores stocked.

The transgender community deserves a better voice says Genesis P-Orridge and Laura Jane Grace. I couldn't agree more.

Backyard Report! * Once upon a time Richmond, VA had a legendary large brick building called Garbers filled with band practice spaces spread over many floors. Our local creative community suffered a serious blow recently when it was announced the building was sold and was going to become condos. All bands renting a space there have been asked to vacate the premises. Our city lacks affordable practice spaces so more than 30 (I bet closer to 50 band) have lost their rehearsal spaces this month and now there is a small army of talent now looking for new places to call home. Local musician and filmmaker Allison Apperson (of the band Hot Lava) is working on a short documentary on this important piece of Richmond's music history. My band Positive No called this space home for the first three years of our existence and nearly all of the music we have released to date was written and worked out in a room there. * I can't get enough of GIRLS ROCK! RVA.

Nylon has selected 5 female fronted bands they think you should know about.

Enjoy visiting this LEGO record store created by the legendary artist Coop.

My favorite on the planet Sheila B is taking her act on the road. Europe, you have no idea how lucky you are.

LA Weekly has published a story on women smashing misogyny in the music industry. Behind the scenes there is a growing network of us coming banding together in person and on social media in private groups to help bring about change and support each other when sexism strikes which as you can imagine is a daily event. No more secret keeping. We are naming names and calling situations out in an effort to protect each other from those who abuse or oppress us.

Erykah Badu is donating concert funds to Detroit's rape kit process.

There is a Classical music tribute entitled Sing Her Name that commemorates women black women impacted by racial justice. #BLACKLIVESMATTER

I could look at Rock and Roll fashion portraits from the past all day long. Punks! Goths! Disco Queens!

Want to feel insecure about who you were as a 17 year old? Lindsey Jordan from Snail Mail is the kind of talented young musician that is decades ahead of her peers and she has only just begun. And I thought I was accomplished as a teen for learning how to drive stick shift.

Why can't electronic music festivals give us some love? Owning just  3% of a talent roster is not acceptable.





Friday, July 8, 2016

Feminist Friday : A Weekly Round Up for July 1, 2016

"I've worked in the music industry for 30 years. In that time, my boobs have gotten me into serious trouble. Stacie Huckeba shares her experiences via Huffington Post.

Oklahoma City is getting a music festival this August that is a celebration of women artists and musicians called AMP.

Francesca Allen photographed a few up and coming ladies in music for Noisy.

The Le Sigh site is my kindred spirit.

Loving this episode on The Future of What about the daunting world of trying to book shows - including the difference between booking agents and talent buyers. Interviews include Josh Brinkman (booking agent), Velena Vego (talent booker at Athen's, GA 40 Watt venue and hopefully we will have our own interview with her here soon), and Eric Gerber (Doug Fir Lounge portland venue). Booking shows is maybe my least favorite aspect of being a musician so I truly appreciate this 101 on booking.

Dozens of sexual assaults were reported at Swedish music festivals.

Music is bringing new life to female prisoners.

Vancouver has a new all-female chamber orchestra because Canada is the coolest.

Global Goals are making people rethink the Spice Girls' message and what we really, really want. Equality, safe spaces. an end to violence, equal pay, and you know, that sort of thing.

There are two documentaries highlighting the musical genius of Delia Derbyshire, pioneer of electronic music.

The Blake Babies' music has been a huge inspiration to me over the year. I am super excited to own this new Earwig demo collection (out today!) and wish I lived closer to Boston or Chicago to catch one of their reunion shows. Member John Strohm has also written a smart piece about making peace with moving making music from a career to a pleasurable hobby.

I can't even handle it. We lost another historical landmark in the world of American records stores. Good-bye Aquarius.

Cult legend Laura Nyro deserves your attention and you probably don't even realize all of the reasons why.

Singer Kelis has turned up in a London kitchen.

On a personal note, I am placing my record label on hold for now. My full explanation can be found here.

The highlight of the week goes to Neil Becton, owner of Som Records in DC bought some photos of Betty Davis live performing back in the day at a flea market of all places. Stunning stuff! Plus Light in the Attic also happened to have recently released The Columbia Years collection (produced by then husband Miles Davis) so thanks Neil for celebrating this awesome score with friends.




Friday, July 1, 2016

Feminist Friday : A Weekly Round Up for July 1, 2016

Gonerfest, one of my favorite American music festivals ever has announced this year's line up. It includes Fred & Toodey (Dead Moon fans take note), Nots (new album coming this fall), Counter Intuits, Midnight Snaxxx, Spray Paint, Useless Eaters, Reigning Sound (original line up, and the usual influx of ridiculously great bands from Australia / NZ, and lots of other stuff too. Full list is here.

My favorite read of the week is all about how women in independent music shaped indie rock because of their lyrics.

Missed CBGBs and NYC in its prime ('70s)? There is a new photo book called History is Made at Night that will help you relive it through images. This scene hosted many legendary women like Blondie, Lydia Lunch, Blondie, and Patti Smith to name just a few.

Nightwave fights back after critical attacks of her DJ set that have more to with her gender than her actual talent.

Check out this great read on the history of The Bangles.

Is YouTube a friend or foe to music? It is one of the first places people go to stream music (not really) but musicians are always seeing any money from these plays.

We are working ourselves to death ladies. Here is what you need to know about putting in long hours each week.

Apple has developed a new technology that will prevent music fans from being able to film and photograph live music performances.

Backyard report: NPR has written about Miramar who are updating the traditional sounds of Puerto Rica. Our local Girls Rock! founders were also interviewed on WTVR.

I know many of you here are Julie Ruin fans. You can stream their new album here plus the band is touring and probably coming to a city near you.

What's wrong with Top 40? There is a lot if you include how terribly stagnant and rehashed most of the songwriting is BUT there is a less surprising and no less annoying reality, men rule the charts. You might be thinking how could this be when women like Taylor Swift and Beyonce are always in the press but while we are pounded with the gossip of the men they sleep with or what they are wearing, it is distracting people away from the fact that most of music's charting artists are still men.

Jenn Wasner is tired of being a novelty. Women can play guitars and we are often pretty damn great at it. Can we dropped being surprised by this already?

Negative Gemini has a song dedicated to catcaller - Don't Worry Bout the Fuck I'm Doing"

Chris Brown continues to be human garbage and his publicist smarty refuses to accept his name calling.

And to end on a lighter note.

The chain of events went like this. The kick ass compilation Typical Girls includes a cover of the very strange but contagious '50s hit "Dumb Head originally by Ginny Arnell. I broke out the original single from my record collection and have been playing it a bit this week. This led to YouTube search of the song which uncovered this gem. WARNING, this song is an earworm so expect to be singing it for the rest of the day. Sorry/not sorry.


Here is the band Primetime covering the song in their own special, primal way.


This Joe Meek version rules! 



And the original. 



Friday, June 24, 2016

Feminist Friday : A Weekly Round Up for June 24th, 2016

Phew! Lost power last week for a bunch of days thanks to a terrible storm that rolled through Richmond, VA so I am happy to be back at it again.

The best thing about this week was learning about Portia Sabin's (Kill Rock Stars President) music industry podcast. This is my new everything.

In a quick backyard report, local lady and massive talent Lucy Dacus has just been picked up by Matador Records. Our whole community is so darn happy for her and I wrote about her several months ago noting ironically a similarity to a classic Matador artist, Bettie Serveert. Weird, right?

Alice Bag is headlining Philadelphia's Treat Y'Self Fest, a benefit for the annual March to End Rape Culture. Pretty darn excited to be a part of this as well; happening this August once again at the PhilaMOCA .

Flying Lotus needs to a dictionary because his use of rape is wrong all wrong.

Tavana wrote an insulting piece of trash  about sex appeal in music for the LA Weekly that has every feminist I know steaming. But it isn't all band, Hawking wrote a response piece that gets it right.

How do touring bands deal with tragic news? This story shares an example of how musicians cope.

Laura Mvula talks us through the many "ists" found in the music industry. Hint: Racist and sexist are in the mix.

Sexism in the music industry is happening in every corner of the world. This story highlights what is going on in France. Don't worry, it is written in English.

All it took was one brave woman to out Ian Conner as her rapist and 5 more women have since also stepped forward to say they were his victims too, rapper/songer Theophilus London has something to say about it.

Social media means musicians are more accessible than ever to their fans and equally, dangerous people who are on the cyber attack. The NYT weighed in on this.

ANd last but not least, what is the state of women in music today. This article helps present some of those issues.

Have something you think I should share ? Send me a note via tracy at littleblackcloud records . com




Tuesday, May 24, 2016

Tears of Joy

Photo by Jake Cunningham 
It can be alarming when a stranger approaches you at the merch table and breaks down in tears. This was my Saturday evening. I quickly discovered these were tears of joy. This woman went on to describe why the Beach Slang / Potty Mouth / Dyke Drama / Positive No line up was something she had waited decades to see. This rock show was not the usual a boys club, it was all inclusive. Women shared the stage with men as equals. LGBTQ musicians were front and center. The age of the musicians spanned between three different decades. There was so much love and respect on display between all the bands that it overwhelmed her. When a sexist heckler was called out and removed like a splinter by members of multiple bands from the venue, it was obvious the entire line up were allies to one another. It was a safe place. It was at atmosphere of overwhelming respect. The evening was how in her mind shows should have always been but sadly have rarely ever been. 

In short, this kind of line up is a very important step in the right direction of acceptance, tolerance, and equality.

For many of us who grew up going to shows in an oppressive environment where sexism, homophobia, and racism were the norm, this show is a shock to the system.  As a fellow middle aged women, I understood EXACTLY how she felt. I cried for joy with her. I expressed this later to other members in the various bands and cried some more like a sentimental fool. I have been waiting my entire adult life for this moment.

A lot can happen in two decades. Twenty plus years ago I was playing in a heavy indie rock band and I was so FUCKING lonely. 

It was straight white men as far as the eye could see. I met a handful of amazing women who came to see our shows but mostly it was a sea of dudes in the audience with no women sharing the stage with me. I felt like a freak of nature because I wanted to play loud music and be a part of this creative community without being a Riot Grrrl. In 1996 however you were either preaching to the choir in the bubble that was feminist music scene or you took your chances in a male dominated rock world that could be very cruel. If some men didn't walk out of the venue because a girl was in the band they would stick around to make fun of me and shout rude things. After shows I was treated like I had the plague. A lot of people were scared to make eye contact with a girl in a hardcore band no less befriend one or go out of their way to balance a show line up by booking a show with other women on a bill. I can't stress how humiliated this left me feeling. I honestly never cared if people liked the music I made, I just didn't want to feel like I was crashing a private sausage party all the time. I wanted to be given the space to be me, to create music, and given the equal opportunity to be heard. I am so thankful my fellow band members were willing to give me this safe place because the world outside them was often not nearly as generous to women.  

As a music fan who during some decades was seeing 10 to 25 bands perform a week, I can promise you my show going experience was more of the same. White men ruled and minorities were nearly invisible. If I wanted diversity, I would have to seek out a splinter scene show where these groups had created their own majority rule. For every outsider who felt pushed out of the mainstream world of music, there was a tiny subculture bubble and rarely did these worlds overlap and share a bill. 

Fast forward twenty years and nearly every show I play now includes bands with female members. In fact it is rare when that doesn't happen and if it is an all male bill, it feels wrong and dated. I still can't believe how different it is now. There is no longer a reason to feel lonely or like an outcast because women are more accepted than ever on a stage. I know it still isn't perfect out there. There are still assholes who say and do inappropriate things to women in bands but I promise you, it is 1,000 times better than it was. 

I am currently watching the LGBTQ music community facing many of the same barriers women did years ago and in turn they coping in the same ways to manage / fight that discrimination. It is only natural that insular communities are popping up to create safe places for themselves. Much like the activists among the Riot Grrrl community, they are creating insular worlds for themselves to perform within. I get it, I really do but I personally never wanted to cut myself off from the rest of the world. I want to celebrate diversity and learn from as many different kinds of people as possible. I feel stagnant when I surrounded myself by people just like myself. I feel richer, wiser, and like a more well rounded human being when I take the time to get to know everyone around me. This is why I stubbornly never let the boys club of the rock world win and don't want any of the other outsiders to give up.  It is important to push back and create a new normal. By sticking around, we forced people to accept that we exist in their world. We can't go away just because a few losers don't believe we belong here. 

We belong just as much as anyone else does in this world. 

I have however fallen into a new position of alienation. It is no longer my gender I feel set back by, it is my age. Music audiences want very little to do with someone over 40. There are so many outrageous and disappointing stereotypes that are associated with being older. I didn't work this hard to become invisible again. So here I am, an outcast all over again. I've got terrible news for the haters. I am still stubborn and I am atill not willing to go away. I will continue to make music because this is who I STILL am and whatever your preconceived notions of who is old and what that actually means should be reevaluated.  

I am still here so get used to it. 

Thank you Beach Slang, Potty Mouth, Dyke Drama, fellow members of Positive No, and those who came out to support the shows this past weekend. Those 48 hours gave me new hope.

Monday, May 9, 2016

2016 New Music Alert : Mirror Travel

Starting the new week with some heavy electric rainbow blasts by TX/NM psych rock by Mirror Travel. This trio released a new album in March of this year entitled Cruse Deal.



Lauren Greene from the band has a side project called LRN GRN worth mentioning as well.


Friday, April 29, 2016

Feminist Friday: A Weekly Round Up

Record collectors in the NYC general region, the legendary WFMU Record Fair is taking place from Friday April 29th thru Sunday May 1st. Whatever you collect, someone at one of the tables will have something for you.

Music business and feminism, the industry needs to catch up the female artists they work with.

Laurie Anderson will tell you how John Peel changed her life and what happens to a performance artist who ends up a Pop star.

A DJ magazine celebrates 25 years of pioneering artists and you guessed it, there is not one woman on the cover.

A few cool Canadians are taking on gender inequality in the music industry by offering DJ workshops.

The winner of the BEST THING I HAVE SEEN ALL WEEK IS: a female karaoke loving red panda who just might replace Hello Kitty as my favorite Sanrio character. She blows of steam after a bummer day at the office by taking to the stage at night. If that isn't interesting enough, she is very METAL!



These girls in Afghanistan are redefining punk by taking to skateboards because they are forbidden to ride bikes.

Meet Jennifer Kennedy, the most original and valuable member of the Richmond, Virginia music scene. Some cities have great photographers capturing their local bands, we have a woman documenting our creative community in sketchbooks and the results are stunning. This is just another reason why I love our city so much.

Beyoncé's Lemonade is inspiring fans to explore black feminist literature, because knowledge is power.

This is a fascinating history and analysis of trans women on television.

There is a debate brewing about the RHCPs being sexually inappropriate to women they have worked with and it all stemmed from this article,

Record collecting is a joy and a sickness, Kevin Moist gets real.


Wednesday, March 16, 2016

SXSBEST 2016

Atta-Girl secret agent Hilary Langford is in Austin, TX for SXSW and is kind enough to send us some photos to share.

RVA local lady and huge talent, Lucy Dacus at the Longbranch Inn.




Sunflower Bean at Sidewinder.





Thursday, February 4, 2016

Throwback Thursday : Lunachicks

Bands like Kiss, The Stooges, and the Ramones never appealed to me as a kid mostly because it seemed like a boys club. I liked heavy music but by the late '80s most of the hardcore and metal scene felt almost exclusively made by men and for men. The audience included women however at shows women were rarely up front by the stage where the pit was often violent or targeted any girl who dare enter that frenzied male dominated arena. 

It was frustrating to like a style of music, have the same aggression and teenage hormones as the boys in the room, but still feel pushed to the back of the room and unwelcomed. It wasn't until 1990 that I discovered bands like L7, Babes in Toyland, STP, Hole, and Lunachicks who were the first women I had ever seen not just play heavy music but dominate it. These bands were a tight unit of girls that looked like a gang (minus Hole who had a male member) and I wanted to be a part of. They were tough, loud, could play their instruments, drank, spit, cursed, screamed, had tattoos, performed in filthy dark clubs, and proved to me that there was room in punk / grunge / metal for ladies too. 

These women all seemed fearless and each member took on a slightly different shade of rebellion so there was room to be as feminine, masculine, or anything in between you felt best fit you. This is the stuff of awe to a teenage girl who didn't think there was room for women in hard rock. Riot Grrrl was just starting to bubble up on the other side of the country so for those of us who were teens in the '80s looking for women to inspire us on a stage who were loud and angry, these were our heroines and they came first. 

The Lunachicks were perhaps the biggest influence to me because I could see them perform the most often. They were a New York City all female band who played NY and NJ relatively often from the late '80s through the '90s. I enjoyed that they played heavy / fast music and looked tougher than any guy I knew. I mean this was a band that looked tougher than any local male musicians I knew and they were heavily tattooed before this was cool or accepted in popular culture. Hell, one of the members was a tattoo artist, something incredibly bad ass to teenage me.  

Their vocalist Theo Kogan depending on her over the top theatrical costume choices could also rival an exoctic runway model. She could magically morph herself into any freak character, had a sense of humor, carried kitsch like an extreme version of the B-52s, but was still insanely strong. I had never seen a women present such a intense balance of feminine and masculine characteristics.

I worshipped the Lunachicks but sort of feared for my life in their presence too. It was a lot to process while I was in high school trying to feel comfortable in my own skin but they were the perfect storm of bold to give me the inspiration to join a band a few years later. They are also probably why I got my first tattoo as a senior in high school much to everyone's horror. They and L7 are also why I had dreads in 1990. They were also the first band to deliver a mosh pit that welcomed women which is something to this day I rarely see. Thanks ladies.  








Wednesday, January 27, 2016

Follow This Atta-GIRL! Playlist

I have created a 2016 Atta-GIRL! Spotify playlist.

Every time I post about a new release that can be found on Spotify, I will add it to this playlist. Follow this playlist to have all the music I review in one handy, organized place.


Sunday, January 24, 2016

You Know What Punk Is?

Punk isn't being 20 something and angry / willing to do wild things in the name of rebelling against society. Punk is being over 40, tied to the system with adult responsibility of raising a family and or buried by a career, and rather than buy into the stereotype that women of a certain age are supposed to be invisible, take to the stage all over again (or in some cases never stepping off the stage).

This 30 minute documentary shows us the the ladies who helped paved the way for punk (The Slits, The Raincoats, Siouxsie, Chrissie Hynde) the first time in the '70s are on the cutting edge again by showing the world that aging doesn't have to mean playing dead.

Heads up ladies, you think sexism sucks? Wait until that seamlessly blends with ageism too. #olderwomenvoices


Thursday, January 14, 2016

Meet Nicole Blonder, VP of Marketing at Mute Records N. America

My goal is to post a different letter from a women within the music industry every few weeks in 2016. The idea is to show that there is no one correct way into the music industry and that there are endless routes to take once you find yourself in it. 

Nicole Blonder and I crossed paths somewhere in the early 2000s. I was just beginning my career as a sales rep at an indie music distributor called Caroline. We worked alongside many remarkable record label and Mute was one of them. Nicole would work with sales reps like myself on many levels. She was educating us about each new release by sharing the new music and background on the artist before we began trying to sell it to our account base. We would then work together to plan our best course of action when selling the record. There were sales goals, target markets, and as a team we would focus on getting these new releases into the marketplace. On top of these new release cycles there were also annual conferences she presented to us at, shows we attended together, and then the occasional joint visits a key account if we felt that her representing the label and artist might help increase our chances of a store not only carrying the record but also in a quantity we felt was appropropriate. We would also unsure there was a marketing plan in place with that store or distributor to help sell through their purchase. We timed things not just around the street date of a new release but around artist tours as well. Needless to say we spent a lot of time together for the 10 plus years I worked at Caroline and she at Mute.

We all know how rare it is for any company in the music industry to last the test of time (Mute has been around since 1978!) and it is even rarer that an employee stays in one place for 15 + years. I respect Nicole so much for the work she has accomplished and consider her to be not just an expert in music sales and marketing but also one of the genuinely kind people I have ever had the honor of working with. I give you Nicole Blonder.

Nicole (left) and I (right) on an industry boat ride back in the day.
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It all began for me, like a lot of us, through a pure passion for and connection to music. By the time I got to high school I was fully submerged and super excited about discovering good music - new and old. Started buying CDs, borrowing my dad's 60s/70s records, and going to concerts when I could.  Pivotal radio stations for me were WDRE in Long Island and WHTG in NJ (when I could get the signal!). I was definitely a 90s Alternative radio girl. At some point I started paying attention to the labels associated with my favorite bands, which opened up even more avenues of discovery.  I was also guided by a few magazines and catalogs I'd see at the bookstore - CMJ in particular, came with a CD which I thought was brilliant, and Sassy of course.  I grew up in super deep Brooklyn and hadn't yet discovered the cool record shops of Manhattan.

At some point during my senior year of high school a friend invited me to write a few CD reviews for a small magazine she got involved with, which lead to us attending a small music conference at NYU. A few local labels had tables set up there, selling music & merch. One of them was Go-Kart Records. They had cool shirts, even if I hadn't heard of their bands before and I picked up some free stickers and I think they had a zine I also grabbed.

As I was graduating high school (Midwood, in Brooklyn) another friend and I thought it might be fun to intern for a label the summer before starting college, so I contacted Go-Kart, thinking it would be a total long shot because all labels were big and fancy and didn't need high school kids hanging around. Greg Ross, the guy who ran the label, contacted me, and my best friend Daena and I got jobs as summer interns for Go-Kart in the summer of '95. I went back as an intern the subsequent two summers home from college. It was a super scrappy outfit, run out of Greg's old 2 bedroom apartment near NYU. There was one real employee, and me, so I was exposed to a lot, and learned a ton pretty quickly. My main job there eventually was calling record stores to check stock, assembling packages, bringing things to the post office and other menial tasks. It was down and dirty but I loved it.

I started Binghamton University in Fall '95, and luckily one of the first friends I met in my dorm was a sophomore who loved all the same music as me and had a radio show. He invited me to be his apprentice and I felt like I won the lottery. I was on the air at WHRW every semester from then through to my last. It was a total blast and one of my very favorite things about college. A super musical education too, WHRW's record library was a treasure trove and I spent a lot of time digging around, finding random things and just listening to music. I was also amazed at how much everyone there knew about music I had never even heard of! Students and community members both. Jr & Sr years I served as music director, and all the label radio promotions folks would call, as they do, to talk records. My final college summer, I found two internships with Sire (who actually paid!) and Matador. I'm still friendly with folks I worked for then. I graduated in '99 and not knowing what I really wanted to do, figured I'd send my resume to everyone I'd met in music so far because it seemed like fun and I did not want a un-fun job. I got a call from Mute, and started working there the day after labor day 1999 as Retail Coordinator, mostly thanks to the experience I had at Go-Kart.

The rest, as they say, is history.....I

Thursday, December 10, 2015

Throwback Thursday : Bush Tetras

Active on and off since the late '70s, this NYC post punk band never got quite the same kind of attention as bands like Blondie, The Ramones, or The Talking Heads did. Here is their first single and one of the best known Bush Tetras songs, "Too Many Creeps" from 1980.

Side note, whenever I DJ this song, at least one person thinks it is Kim Gordon from Sonic Youth singing - without fail.


Monday, December 7, 2015

The 50 Most Powerful Female Executives in the Music Industry

Billboard Magazine recently released their Women in Music issue. With it they compiled the 50 most powerful female executives in the music industry. If you are wondering how such a list is put together, here is what they say 

Methodology: Executives were chosen based on business impact, audience, market share and chart and/or tour ­performance of their artists or clients in the past year, tracked by Nielsen Music and Billboard Boxscore.

You can read the story here

The only catch is that with the ever changing landscape in music where barcode scans from sales and captured digital stream data mean less and less (how Nielsen Music tracks an artists sales), there is an entirely different group of women making things happen in music outside of the top 40 / Pop culture world. The independent music community is larger than ever so while this is still an inspiring list of ladies, keep in mind it only tells a portion of the whole story. 

Wednesday, December 2, 2015

Mistaking Music Chemistry for Dating Chemistry

Recently Gretchen Kelly wrote a piece called The Thing All Women Do That You Don't Know AboutIt perfectly describes a female conditioning that begins when we are very young and are faced uncomfortable male attention time and time again. It often starts quietly. A man shows or states their interest in us sexually and when we respond with a polite no, we are hit with a volley back of verbal insults. threats, and sometimes an angry physical response. Any or all of this can be terrifying.

In my mid 20s I was walking to work in the morning and passed a construction crew. One man started yelling at me as I approached the work sight. I ignored him but rather than just stop shouting at me, he screamed even more vulgar things. I finally stopped and told him to stop shouting at me. I was furious, insulted, and it ended with me yelling an obscenity back at him while giving him the finger. This flipped his switch. I went from being an object of desire to a bitch. He proceeded to follow me a block screaming insults about my stinking private parts, circling me, and ended his tirade with a shove and the statement that " I was trying to do you a favor you ****, even ugly girls need to feel pretty!"

After enough of these kinds of exchanges I was conditioned to deal with people like this as passively as possible. I became skilled at disarming bombs. I did not want to draw attention to the situation. I didn't make eye contact. I quickly crossed streets away from them. I began wearing headphones to block their comments out completely until one day a man grabbed them off my head to tell me I had a nice ass while groping it. Most city women know what it is like to have a man on a crowded train pinned next to you rub his erection on you and / or play with himself through his pockets. Insanely these run-ins become a normal day in a big city. Women learn to silently go about our business after each of these awful events. Rather than face confrontation we learn how to get to a safer situation and brush off these men. I am not saying this is always the correct way to handle these moments but when you are trying to get to school or work or home, sometimes all you want to do is arrive in one piece and get through your day without a scene.

I have lived in cities my entire adult life and when you walk everywhere these exchanges happen more often than not. In fact, so often that all the yelling and occasional groping stops being something I told friends, family, or co-workers about. These were my depressing secrets and I am no less relieved to learn that I am not alone in carrying this burden.

None of this however prepared me for the flip switch with men I knew well. This situation becomes a thousand times more complicated when it is a "friend" or acquaintance who puts you in this position. There is also a circle of mutual friends around the two of you to add extra layers of drama. Your home or shared spaces become tainted by the nightmare of harassment. What should be a cut and dry "no thank you" situation can grow destructive tentacles and end friendships, divide a group of friends, or in my case, kill a band.

Life experiences had prepared me for random sexist attitudes towards the things I did however I was not prepared for that kind of call to come from inside my house. Playing music with others is a sacred, family bond to me. I understand it isn't like this for everyone but as someone who does not have much family, I take my band family very seriously and extend to them a great deal of respect and kindness. They become my brothers and sisters. Not once but several times different band members crossed the line with me. They misunderstood our band chemistry for a sexual chemistry and when I replied with a thoughtful but firm "NO", each time I punished for my choice. Either I was pushed out of the band for being a problem member for some random made up thing that didn't exist before I said no or I was cut out from their life completely. In all cases the band ended and our friendships dissolved. Each time I felt like was part of a hit and run crime scene.

These situations were never discussed with the rest of the band and I rarely talked about it with friends. I mistakenly carried guilt (as so often victims do) for somehow leading them on when this was never the case. It was easier to be blackballed than face the stress of trying to explain to everyone around us what really happened. I feared harsh judgement from people who may not believe me or fully grasp the situation. I understand these men felt embarrassed for misreading our band chemistry and had bruised egos but I regret that I was the one who always felt like it was a dirty secret I should be ashamed of. Only one of these men has apologized to me over the years and in turn has been welcomed back into my life. Neither my creative relationship or friendship has been recovered with the others. These have become permanent scars I have had to live with.

It takes courage to openly discuss hurt feelings when a come-on is not reciprocated. As a younger person, I was not that brave. I did not want to stir the pot and in turn chose the no less kinder route of being pushed out and cut off. I always moved on, continued to make music, but have felt haunted by these past run ins even after all these years. I would very much like to spare others from this experience and offer others encouragement to speak up and out.

I now better understand now how band member wires can get crossed. When you play in a very active touring band together, you spend a lot of time in cramped quarters with one another. Hell, you might even have to share a bed in a hotel room when all you can afford is one room with two twin beds. You live and breathe these people daily. You share. You talk. You occasionally touch. There is a genuine connection and communication that happens between band members and for some people that exciting click can get confused for something more. Band dedication merges with personal dedication. I think it is important to stress that this is not strictly a male to female disconnect as it can go both ways. Misunderstandings and big feelings happen but it is how each of you handle it that is key.

No two relationships are the same and this is absolutely true for the dynamic between band members. Each situation and person is different and my philosophy on how to handle this has become my personal philosophy as well. The people I have let into my world are treated with love, compassion, respect, and an open mind. I am not perfect and I do not expect others to be either. I do however expect to be treated well in return. I believe you can say just about anything to a friend if it is stated in a thoughtful and kind manner (hence our band name Positive No).

If there are feelings of any kind that fall outside of playing music together that need to be discussed, I recommend doing so with a clear head. I do not suggest getting drunk and gushing emotions that may not be worded as carefully as you might sober. This is important stuff to talk about openly and honestly. You don't want anything to cloud judgement and further muddy communication. Hormones are distracting enough as it is.

There is no right way for this situation to play out. If you are both consenting adults who want to try to date while in a band together, good luck with that! It can work but you need to remain mindful of the rest of the band who has to play music and tour with a couple. Trust me, as a person approaching year seven of dating a band member (we were dates first, band members second), it is not easy task and could / should be an article in itself.

If you have fallen for a band member and can't hide your feelings any longer, be thoughtful about your next step. Before making a blind pass, think before you act. I know this is easier said than done, especially in a culture of late nights and party-like atmospheres. Be prepared for the worst and hope for the best. If approached correctly, a band member who is not interested in dating will take it all in stride and the band will carry on as normal. The harder part might be dusting yourself off and letting your ego take a hit.

Lastly if there is a band member who approaches you in a way that feels wrong, uncomfortable, or inappropriate, speak up immediately. The first responsibility is for you to take care of you and let this other person know they have crossed a line with you. A real friend and band member will back off and honor your feelings. No band is worth feeling unsafe or disrespected for. If your fellow band members aren't responsive in a way that makes you feel comfortable, you probably don't want to be in a band with them either. A person who lashes out at your choice to say no is not worthy of your time as a creative partner or friend.

I may have regrets about how I handled these hurdles in my past but there should be zero shame in a no. You should never have to be punished for not having a mutual feeling of interest towards someone. Your artistic world doesn't have to end when these band family members betray your trust. The lesson to be learned here is knowing you are better off without a person like that in your life. Creating art should be your safe place. Anyone who challenges or threatens that is a splinter that needs to be pulled, not lived with.


Monday, November 30, 2015

Fighting the Good Fight

Did you know that fewer than 5% of record producers and sound engineers are women? How about that when you review a huge festival line up, the number of women headliners of the bill make up for maybe one tenth of the line up? The numbers are discouraging when it comes to women verse men in the music industry however more and more women are working hard to change that number.

Antye Greie-Ripatti inspired by a 2015 interview with Björk who openly described women's role in music as "unacknowledged" and "uncredited" from personal experience, launched a Tumblr page called female:pressure  that gives visibility to female producers, DJ's, media artists, and electronic music performers at work. The idea is that the more of us there are documenting our work and celebrating the work of our female peers is to remind people that women making music is normal and happening daily all over the world.

For more statistics of women in the music industry, go here. If you are making music behind the scenes and feel comfortable sharing images of it, you should post them on your social media pages and or pass them along to sites like female:pressure to share with their readers. As I write this I am reminded that I need to do this more too as I often record at home and never think to document this part of my writing process. I intend to practice what I preach.

I am far from technical when it comes to getting down my ideas for a new song. I have a PC and use a program called Mixcraft 5 to record my vocal rough drafts for Positive No and have also used this program to write whole songs electronically for my solo project Ringfinger.


Friday, November 20, 2015

Apple Music and iTunes is Dead to Me

As if it wasn't frustrating enough that with every iTunes software update, those of us who use iTunes to manage our large digital music catalog are faced with endless glitches and headaches, the head of Apple Music Jimmy Iovine went on CBS This Morning to say "I've always known that women find it very difficult at times - some women - to find music."

Unbelievably his sexist comments continued. "I just thought of a problem. Girls are sitting around... talking about boys right? Or complaining about boys. Or they're heartbroken or whatever. They need music for that, and it's hard to find music."

 Are you fucking kidding me?

I can't imagine a better time for music fans of any and all genders to find music. There are literally thousands of ways to discover music and it terrifies that the head of Apple Music isn't clued in to this. It goes without saying it is also mortifying that he singled out "girls" as being especially helpless at finding music and even though he has since apologized for for his mansplaining, I am done with Apple and iTunes until this man is fired. It should also be noted that none of the women sitting around the table with this jackass stood up to him for his sexist idiocy. I am equally disappointed with them as well. We don't have to accept or tolerate this kind of thinking about the portion of music fans who are women. SPOILER ALERT : THERE ARE A LOT OF US ! ! !

Apple was already alienating those of us who own large amounts of digital music as they focus on cloud based services and radio style forced discovery playlists generated for us so to me, this is the final nail in their coffin. I am done with Apple. As a music fanatic who also happens to be a women, I not only deserve better, I expect better from the companies who pride themselves as music innovators.