Showing posts with label Feminist. Show all posts
Showing posts with label Feminist. Show all posts

Tuesday, May 24, 2016

Tears of Joy

Photo by Jake Cunningham 
It can be alarming when a stranger approaches you at the merch table and breaks down in tears. This was my Saturday evening. I quickly discovered these were tears of joy. This woman went on to describe why the Beach Slang / Potty Mouth / Dyke Drama / Positive No line up was something she had waited decades to see. This rock show was not the usual a boys club, it was all inclusive. Women shared the stage with men as equals. LGBTQ musicians were front and center. The age of the musicians spanned between three different decades. There was so much love and respect on display between all the bands that it overwhelmed her. When a sexist heckler was called out and removed like a splinter by members of multiple bands from the venue, it was obvious the entire line up were allies to one another. It was a safe place. It was at atmosphere of overwhelming respect. The evening was how in her mind shows should have always been but sadly have rarely ever been. 

In short, this kind of line up is a very important step in the right direction of acceptance, tolerance, and equality.

For many of us who grew up going to shows in an oppressive environment where sexism, homophobia, and racism were the norm, this show is a shock to the system.  As a fellow middle aged women, I understood EXACTLY how she felt. I cried for joy with her. I expressed this later to other members in the various bands and cried some more like a sentimental fool. I have been waiting my entire adult life for this moment.

A lot can happen in two decades. Twenty plus years ago I was playing in a heavy indie rock band and I was so FUCKING lonely. 

It was straight white men as far as the eye could see. I met a handful of amazing women who came to see our shows but mostly it was a sea of dudes in the audience with no women sharing the stage with me. I felt like a freak of nature because I wanted to play loud music and be a part of this creative community without being a Riot Grrrl. In 1996 however you were either preaching to the choir in the bubble that was feminist music scene or you took your chances in a male dominated rock world that could be very cruel. If some men didn't walk out of the venue because a girl was in the band they would stick around to make fun of me and shout rude things. After shows I was treated like I had the plague. A lot of people were scared to make eye contact with a girl in a hardcore band no less befriend one or go out of their way to balance a show line up by booking a show with other women on a bill. I can't stress how humiliated this left me feeling. I honestly never cared if people liked the music I made, I just didn't want to feel like I was crashing a private sausage party all the time. I wanted to be given the space to be me, to create music, and given the equal opportunity to be heard. I am so thankful my fellow band members were willing to give me this safe place because the world outside them was often not nearly as generous to women.  

As a music fan who during some decades was seeing 10 to 25 bands perform a week, I can promise you my show going experience was more of the same. White men ruled and minorities were nearly invisible. If I wanted diversity, I would have to seek out a splinter scene show where these groups had created their own majority rule. For every outsider who felt pushed out of the mainstream world of music, there was a tiny subculture bubble and rarely did these worlds overlap and share a bill. 

Fast forward twenty years and nearly every show I play now includes bands with female members. In fact it is rare when that doesn't happen and if it is an all male bill, it feels wrong and dated. I still can't believe how different it is now. There is no longer a reason to feel lonely or like an outcast because women are more accepted than ever on a stage. I know it still isn't perfect out there. There are still assholes who say and do inappropriate things to women in bands but I promise you, it is 1,000 times better than it was. 

I am currently watching the LGBTQ music community facing many of the same barriers women did years ago and in turn they coping in the same ways to manage / fight that discrimination. It is only natural that insular communities are popping up to create safe places for themselves. Much like the activists among the Riot Grrrl community, they are creating insular worlds for themselves to perform within. I get it, I really do but I personally never wanted to cut myself off from the rest of the world. I want to celebrate diversity and learn from as many different kinds of people as possible. I feel stagnant when I surrounded myself by people just like myself. I feel richer, wiser, and like a more well rounded human being when I take the time to get to know everyone around me. This is why I stubbornly never let the boys club of the rock world win and don't want any of the other outsiders to give up.  It is important to push back and create a new normal. By sticking around, we forced people to accept that we exist in their world. We can't go away just because a few losers don't believe we belong here. 

We belong just as much as anyone else does in this world. 

I have however fallen into a new position of alienation. It is no longer my gender I feel set back by, it is my age. Music audiences want very little to do with someone over 40. There are so many outrageous and disappointing stereotypes that are associated with being older. I didn't work this hard to become invisible again. So here I am, an outcast all over again. I've got terrible news for the haters. I am still stubborn and I am atill not willing to go away. I will continue to make music because this is who I STILL am and whatever your preconceived notions of who is old and what that actually means should be reevaluated.  

I am still here so get used to it. 

Thank you Beach Slang, Potty Mouth, Dyke Drama, fellow members of Positive No, and those who came out to support the shows this past weekend. Those 48 hours gave me new hope.

Thursday, April 7, 2016

Feminist Friday: A Weekly Round Up

Julia Holter talks gendered history with Lucrecia Dalt. 

Most insane headline of the week: "Dangdut singer Irma Bule gets bitten by cobra on stage, keeps singing for 45 minutes before she dies" Woah.

Gender wage gap has another layer to this onion, religion 

Feminist death metal is real? Yes.

Maybe you work in PR or run a record label and buy supplies from Uline? You might want to rethink that. 

Guitar World has finally realized that women play guitar too and maybe should't be objectified in a shameless flesh display to spotlight music gear. The end of the bikini gear guide is here.

Just when you don't think it could get worse for Kesha followed by this soul crushing post by her.

All vinyl DJ group of ladies who spin records all over Texas and California; meet the Chulita vinyl club.

Nearly one year ago an inspiring multi-media artist named Roya Movafegh passed away from cancer. In her memory, mutual friend Lyle Hysen (musician, industry veteran, an all around swell dude) with the help of graphic designer John Newcomer created an inspiring children's book based on a story she had shared with them. "Princess Gallantra and the Great Race" not only depicts an exciting contest among 4 lands to reach the top of Mount Something; important lessons are learned, and mostly importantly we discover a girl is much more than just a skirt. All proceeds made from this delightful book go to Global Kids Inc, "a nonprofit educational organization for global learning and youth development - works to ensure that youth from underserved areas have the knowledge, skills, experiences and values they need to succeed in school, participate effectively in the democratic process, and achieve leadership in their communities and on the global stage." By purchasing this book in one of three formats, you are not just the proud owner of a book that teaches meaningful values to kids and highlights that girls rule, it also celebrates the vibrant spirit of Roya and helps to support a remarkable charity.

Women in DC who rock!

Rebecca Lane is a Guatemalan hip hop artist and feminist.

Being on the "wrong side of 30", This is an especially meaningly read to me and it is exactly why I am not sure I have it in me to keep making music as I approach my mid 40s. I thought sexism was annoying by agism is equally as demoralizing.

The most important song you will hear this week by War on Women.



Guatemalan Feminist Rapper Tearing Down Walls

This content was originally published by teleSUR at the following address: 
 "http://www.telesurtv.net/english/opinion/Guatemalan-Feminist-Rapper-Tearing-Down-Walls-20160312-0043.html". If you intend to use it, please cite the source and provide a link to the original article. www.teleSURtv.net/english
Guatemalan hip hop artist, Rebeca Lane,

This content was originally published by teleSUR at the following address: 
 "http://www.telesurtv.net/english/opinion/Guatemalan-Feminist-Rapper-Tearing-Down-Walls-20160312-0043.html". If you intend to use it, please cite the source and provide a link to the original article. www.teleSURtv.net/english
Guatemalan hip hop artist, Rebeca Lane,

This content was originally published by teleSUR at the following address: 
 "http://www.telesurtv.net/english/opinion/Guatemalan-Feminist-Rapper-Tearing-Down-Walls-20160312-0043.html". If you intend to use it, please cite the source and provide a link to the original article. www.teleSURtv.net/english

Monday, February 29, 2016

Cause & Effect : Jigsaw Youth

The cause : "Jigsaw Youth" by Bikini Kill - a song from their 1992 Huggy Bear split 10" .


The effect: Jigsaw Youth, a current, feminist NYC punk band.


Thursday, December 17, 2015

Flashback Thursday : Mecca Normal

There is something so impressive about a powerful two piece band, especially when it doesn't follow the traditional rules of what we think a band equals. In this case we have a remarkable guitar player named David Lester and vocalist Jean Smith. Together they make Mecca Normal, a band who have managed to prove that no other instrument is needed. The communication between fretted instrument and voice is more than enough.  This Vancouver duo has been producing music from 1984 that evokes thought and expels energy. In this stripped down form the power of each instrument, guitar and voice, are poignant. Lyrics are highlighted by the nature of this beast and are delivered through dramatic flashes. Captured in raw form, this kind of intensity isn't for everyone but being pushed to just outside my comfort zone on occasion gives music the kind of exciting dangerous element that rock and roll was invented for. Life is a balance of ugly chaos and moments of beauty, Mecca Normal manages to deliver both and if Patti Smith had a secret sister, I think Jean Smith might be her.







Tuesday, November 10, 2015

Discwoman : Girls to the Tables

A few days ago I decided my turntables were in need of new slipmats. I didn't know what I was looking for other than I wanted them to be colorful and not feature a logo of a band or gear brand name. Our record players are located in our dining room so these slipmats are something we (my boyfriend and I) need to live with daily. What I wasn't expecting in my Google search was a sea of images that mostly screamed horny, stoner dude. Meaning if it wasn't a picture of a pot leaf in some form on the slipmat, there were breasts and more breasts. 

My takeaway from that experience was that the expected customer for these items are not women, they are predominantly men. If you spend much time attending DJ nights you will know that this is a fair assumption. Where the number of women playing in bands seems to be on the rise, the number of female DJs and club promoters is not. We are a very small number and the sexism I have faced while playing in band is nearly two fold as a DJ. The expectation is that I don't know anything about my gear, how a PA works, and most insultingly to me, that I don't know anything about music. There is also a frustratingly high level of sexual harassment and abuse from people in the crowd. Some men find no issue with randomly touching a female DJ's body, getting handsy with our turntables or mixers (IE let me show you how it's done or if you can do it, it must be easy and I will try it right now without your permission), flipping through our records without asking as if they are browsing at a store, or shouting at us comments relating to our bodies and what they would like to do to them. This is our work space and it, as well as our bodies, are being violated by strangers who occasionally look at female DJs like we are strippers soliciting lap dance.

Needless to say, whenever I discover fellow female DJs or women who operate in this male dominated music world at all, I take note. 

NPR recently wrote an article about the the NYC based Discwoman, a trio of women who operate a DJ booking agency focused on showcasing female-identified DJs. Discwoman however aren't just curating events where women are the talent and running the show, they are also actively encouraging women to become involved in their world. It doesn't have to mean making or playing electronic music, they are helping teach others how to book events, run sound, and all the other various aspects that go into making a DJ night happen. It is inspiring to know that they are leading by example. The more of us there are doing these things, the less fetishized and alien women in this scene will be treated. There is comfort, safety, and power in growing our number. We all know learning a particular skill isn't the first hurdle, it is finding the courage to try at all. If we create a womb of nurturing support, there is so much talent to be born from this.  

Here is a video I found that further expands on this subject. Maybe you will find it as illuminating and encouraging as I did. 





Sidenote: For clarity sake, I am not a DJ that creates electronic music in a live setting. I have made a solo record that merged electronic music and indie rock (Ringfinger) but as a DJ, I play other people's records. I pride myself on my large and varied record collection. I do not use a laptop, I cultivate a DJ set using vinyl records from my personal collection. 

Monday, November 2, 2015

Band to Watch : Doe

How could you not love a band that has this bio? "We’re Doe. We’re from London. We like feminism, horror films and brown beer." 

And who is the band influenced by? Sleater-Kinney, Helium, Plumtree, Superchunk, Autoclave, (early) Weezer, Pixies, Breeders, Pavement, Bikini Kill

I'm sold. 



(and yes, I like cats too.) 




Stream all sorts of their records here.