Showing posts with label sexism. Show all posts
Showing posts with label sexism. Show all posts

Tuesday, September 20, 2016

Janis Joplin on Paper

You may have noticed a Janis Joplin documentary on Netflix currently called Little Girl Blue that includes Chan Marshall aka Cat Power  narrating.

Here is the trailer to that film:


Janis is best known for her unbridled vocal performances and wild child charisma however she first began expressing herself through drawing and painting in grade school. The film never goes into her interest in making art or her original desire to be a fashion designer so I took to the internet to seek out some of these sketches myself.

I love this snapshot (below) of her drawing the scarecrow from Oz. It is particularly wild to see Janis looking more like a cast member of Leave it to Beaver as a kid.

Her transition into life as an outcast began in grade school when she stood up against segregation in Texas when few in her community would. She was threatened for her belief in equality as well as mercilessly teased for bad skin, frizzy hair, and being slightly overweight all throughout her school years. Her response was to explore art, read beat writers, start dying her hair, and spend weekends hanging out drinking in Blues bars with a small circle of beatnik friends - all the opposite of what accepted ladylike behavior was by the mainstream. The peak of cruelty from others came when she was named "Ugliest Man on Campus" by Texas University frats in college. She left Texas and tried never looking back however the years of being tormenting had already taken their toll. Drinking and taking drugs were one coping mechanism but luckily for music fans, so was overcoming her haters to pursue her passion of making music.
 
"You are what you settle for"
                                   -Janis Joplin
 
 
Janis Joplin never settled. She was the child of a 1940s/1950s reserved family living in an equally conservative state yet she had the courage to push back against the masses no less allowed herself the freedom to reinvent herself. She defied her gender expectations by being among the first women to use screaming to enhance her vocal performances. She looked exactly as she pleased, including a tattoo which was nearly a half century before it was trendy no less acceptable for a women to have. She crossed color barriers by belting out her own raw take of the Blues. She was as a single, bi-sexual woman forging her way in a mostly male dominated music world. She had no mentor cutting the path for her. She led the way alone. The making and eventually breaking of this star had a lot to do with being a victim of bullying (eventually also leading to her body dysmorphia). For nearly a decade she carried a relentless drive to show the world that she was worthy of love and had something special by channeling that pain and self doubt into her art. The tragic irony of her life is the strife that helped fuel her talent would also be the same thing that helped extinguish her flame.

Friend of Joplin's Country Joe McDonald once stated that "Sexism killer her." and this quote haunts me. Janis refused to buy into conventional beauty or what a female front person should behave/sound like and she paid the price for it. She was finally earning the love and respect she craved from fans but for most of her short life, her trusted inner circle never delivered the kind of support system she needed desperately. Joplin also sadly lacked the self love to rise above the criticism. She found it difficult to escape feelings of loneliness and never learned to cope with the lows that followed the high of performing to large and enthusiastic audiences that wasn't in a bottle or drug.  

Joplin's life was over by the unbelievably young age of 27 in 1970. Her official cause of death was a heroin overdose but her heart had also been broken one too many times. We have had the opportunity to hear her bravely express herself unlike anyone who came before her through her voice but I appreciate seeing an added dimension to her character through her pictures.

The bulk of Janis Joplin's artwork below was created before music took over from approximately age 12 to 20.








As a final side note, in my search online I discovered that Joplin's niece Malyn Joplin has created a fashion line inspired by Janis called Made for Pearl.

Friday, June 24, 2016

Feminist Friday : A Weekly Round Up for June 24th, 2016

Phew! Lost power last week for a bunch of days thanks to a terrible storm that rolled through Richmond, VA so I am happy to be back at it again.

The best thing about this week was learning about Portia Sabin's (Kill Rock Stars President) music industry podcast. This is my new everything.

In a quick backyard report, local lady and massive talent Lucy Dacus has just been picked up by Matador Records. Our whole community is so darn happy for her and I wrote about her several months ago noting ironically a similarity to a classic Matador artist, Bettie Serveert. Weird, right?

Alice Bag is headlining Philadelphia's Treat Y'Self Fest, a benefit for the annual March to End Rape Culture. Pretty darn excited to be a part of this as well; happening this August once again at the PhilaMOCA .

Flying Lotus needs to a dictionary because his use of rape is wrong all wrong.

Tavana wrote an insulting piece of trash  about sex appeal in music for the LA Weekly that has every feminist I know steaming. But it isn't all band, Hawking wrote a response piece that gets it right.

How do touring bands deal with tragic news? This story shares an example of how musicians cope.

Laura Mvula talks us through the many "ists" found in the music industry. Hint: Racist and sexist are in the mix.

Sexism in the music industry is happening in every corner of the world. This story highlights what is going on in France. Don't worry, it is written in English.

All it took was one brave woman to out Ian Conner as her rapist and 5 more women have since also stepped forward to say they were his victims too, rapper/songer Theophilus London has something to say about it.

Social media means musicians are more accessible than ever to their fans and equally, dangerous people who are on the cyber attack. The NYT weighed in on this.

ANd last but not least, what is the state of women in music today. This article helps present some of those issues.

Have something you think I should share ? Send me a note via tracy at littleblackcloud records . com




Sunday, January 24, 2016

You Know What Punk Is?

Punk isn't being 20 something and angry / willing to do wild things in the name of rebelling against society. Punk is being over 40, tied to the system with adult responsibility of raising a family and or buried by a career, and rather than buy into the stereotype that women of a certain age are supposed to be invisible, take to the stage all over again (or in some cases never stepping off the stage).

This 30 minute documentary shows us the the ladies who helped paved the way for punk (The Slits, The Raincoats, Siouxsie, Chrissie Hynde) the first time in the '70s are on the cutting edge again by showing the world that aging doesn't have to mean playing dead.

Heads up ladies, you think sexism sucks? Wait until that seamlessly blends with ageism too. #olderwomenvoices


Wednesday, December 2, 2015

Mistaking Music Chemistry for Dating Chemistry

Recently Gretchen Kelly wrote a piece called The Thing All Women Do That You Don't Know About. It perfectly describes a female conditioning that begins when we are very young and are faced uncomfortable male attention time and time again. It often starts quietly. A man shows or states their interest in us sexually and when we respond with a polite no, we are hit with a volley back of verbal insults. threats, and sometimes an angry physical response. Any or all of this can be terrifying.

In my mid 20s I was walking to work in the morning and passed a construction crew. One man started yelling at me as I approached the work sight. I ignored him but rather than just stop shouting at me, he screamed even more vulgar things. I finally stopped and told him to stop shouting at me. I was furious, insulted, and it ended with me yelling an obscenity back at him while giving him the finger. This flipped his switch. I went from being an object of desire to a bitch. He proceeded to follow me a block screaming insults about my stinking private parts, circling me, and ended his tirade with a shove and the statement that " I was trying to do you a favor you ****, even ugly girls need to feel pretty!"

After enough of these kinds of exchanges I was conditioned to deal with people like this as passively as possible. I became skilled at disarming bombs. I did not want to draw attention to the situation. I didn't make eye contact. I quickly crossed streets away from them. I began wearing headphones to block their comments out completely until one day a man grabbed them off my head to tell me I had a nice ass while groping it. Most city women know what it is like to have a man on a crowded train pinned next to you rub his erection on you and / or play with himself through his pockets. Insanely these run-ins become a normal day in a big city. Women learn to silently go about our business after each of these awful events. Rather than face confrontation we learn how to get to a safer situation and brush off these men. I am not saying this is always the correct way to handle these moments but when you are trying to get to school or work or home, sometimes all you want to do is arrive in one piece and get through your day without a scene.

I have lived in cities my entire adult life and when you walk everywhere these exchanges happen more often than not. In fact, so often that all the yelling and occasional groping stops being something I told friends, family, or co-workers about. These were my depressing secrets and I am no less relieved to learn that I am not alone in carrying this burden.

None of this however prepared me for the flip switch with men I knew well. This situation becomes a thousand times more complicated when it is a "friend" or acquaintance who puts you in this position. There is also a circle of mutual friends around the two of you to add extra layers of drama. Your home or shared spaces become tainted by the nightmare of harassment. What should be a cut and dry "no thank you" situation can grow destructive tentacles and end friendships, divide a group of friends, or in my case, kill a band.

Life experiences had prepared me for random sexist attitudes towards the things I did however I was not prepared for that kind of call to come from inside my house. Playing music with others is a sacred, family bond to me. I understand it isn't like this for everyone but as someone who does not have much family, I take my band family very seriously and extend to them a great deal of respect and kindness. They become my brothers and sisters. Not once but several times different band members crossed the line with me. They misunderstood our band chemistry for a sexual chemistry and when I replied with a thoughtful but firm "NO", each time I punished for my choice. Either I was pushed out of the band for being a problem member for some random made up thing that didn't exist before I said no or I was cut out from their life completely. In all cases the band ended and our friendships dissolved. Each time I felt like was part of a hit and run crime scene.

These situations were never discussed with the rest of the band and I rarely talked about it with friends. I mistakenly carried guilt (as so often victims do) for somehow leading them on when this was never the case. It was easier to be blackballed than face the stress of trying to explain to everyone around us what really happened. I feared harsh judgement from people who may not believe me or fully grasp the situation. I understand these men felt embarrassed for misreading our band chemistry and had bruised egos but I regret that I was the one who always felt like it was a dirty secret I should be ashamed of. Only one of these men has apologized to me over the years and in turn has been welcomed back into my life. Neither my creative relationship or friendship has been recovered with the others. These have become permanent scars I have had to live with.

It takes courage to openly discuss hurt feelings when a come-on is not reciprocated. As a younger person, I was not that brave. I did not want to stir the pot and in turn chose the no less kinder route of being pushed out and cut off. I always moved on, continued to make music, but have felt haunted by these past run ins even after all these years. I would very much like to spare others from this experience and offer others encouragement to speak up and out.

I now better understand now how band member wires can get crossed. When you play in a very active touring band together, you spend a lot of time in cramped quarters with one another. Hell, you might even have to share a bed in a hotel room when all you can afford is one room with two twin beds. You live and breathe these people daily. You share. You talk. You occasionally touch. There is a genuine connection and communication that happens between band members and for some people that exciting click can get confused for something more. Band dedication merges with personal dedication. I think it is important to stress that this is not strictly a male to female disconnect as it can go both ways. Misunderstandings and big feelings happen but it is how each of you handle it that is key.

No two relationships are the same and this is absolutely true for the dynamic between band members. Each situation and person is different and my philosophy on how to handle this has become my personal philosophy as well. The people I have let into my world are treated with love, compassion, respect, and an open mind. I am not perfect and I do not expect others to be either. I do however expect to be treated well in return. I believe you can say just about anything to a friend if it is stated in a thoughtful and kind manner (hence our band name Positive No).

If there are feelings of any kind that fall outside of playing music together that need to be discussed, I recommend doing so with a clear head. I do not suggest getting drunk and gushing emotions that may not be worded as carefully as you might sober. This is important stuff to talk about openly and honestly. You don't want anything to cloud judgement and further muddy communication. Hormones are distracting enough as it is.

There is no right way for this situation to play out. If you are both consenting adults who want to try to date while in a band together, good luck with that! It can work but you need to remain mindful of the rest of the band who has to play music and tour with a couple. Trust me, as a person approaching year seven of dating a band member (we were dates first, band members second), it is not easy task and could / should be an article in itself.

If you have fallen for a band member and can't hide your feelings any longer, be thoughtful about your next step. Before making a blind pass, think before you act. I know this is easier said than done, especially in a culture of late nights and party-like atmospheres. Be prepared for the worst and hope for the best. If approached correctly, a band member who is not interested in dating will take it all in stride and the band will carry on as normal. The harder part might be dusting yourself off and letting your ego take a hit.

Lastly if there is a band member who approaches you in a way that feels wrong, uncomfortable, or inappropriate, speak up immediately. The first responsibility is for you to take care of you and let this other person know they have crossed a line with you. A real friend and band member will back off and honor your feelings. No band is worth feeling unsafe or disrespected for. If your fellow band members aren't responsive in a way that makes you feel comfortable, you probably don't want to be in a band with them either. A person who lashes out at your choice to say no is not worthy of your time as a creative partner or friend.

I may have regrets about how I handled these hurdles in my past but there should be zero shame in a no. You should never have to be punished for not having a mutual feeling of interest towards someone. Your artistic world doesn't have to end when these band family members betray your trust. The lesson to be learned here is knowing you are better off without a person like that in your life. Creating art should be your safe place. Anyone who challenges or threatens that is a splinter that needs to be pulled, not lived with.