Feminist Friday : A Weekly Round Up for July 1, 2016

Gonerfest, one of my favorite American music festivals ever has announced this year's line up. It includes Fred & Toodey (Dead Moon fans take note), Nots (new album coming this fall), Counter Intuits, Midnight Snaxxx, Spray Paint, Useless Eaters, Reigning Sound (original line up, and the usual influx of ridiculously great bands from Australia / NZ, and lots of other stuff too. Full list is here.

My favorite read of the week is all about how women in independent music shaped indie rock because of their lyrics.

Missed CBGBs and NYC in its prime ('70s)? There is a new photo book called History is Made at Night that will help you relive it through images. This scene hosted many legendary women like Blondie, Lydia Lunch, Blondie, and Patti Smith to name just a few.

Nightwave fights back after critical attacks of her DJ set that have more to with her gender than her actual talent.

Check out this great read on the history of The Bangles.

Is YouTube a friend or foe to music? It is one of the first places people go to stream music (not really) but musicians are always seeing any money from these plays.

We are working ourselves to death ladies. Here is what you need to know about putting in long hours each week.

Apple has developed a new technology that will prevent music fans from being able to film and photograph live music performances.

Backyard report: NPR has written about Miramar who are updating the traditional sounds of Puerto Rica. Our local Girls Rock! founders were also interviewed on WTVR.

I know many of you here are Julie Ruin fans. You can stream their new album here plus the band is touring and probably coming to a city near you.

What's wrong with Top 40? There is a lot if you include how terribly stagnant and rehashed most of the songwriting is BUT there is a less surprising and no less annoying reality, men rule the charts. You might be thinking how could this be when women like Taylor Swift and Beyonce are always in the press but while we are pounded with the gossip of the men they sleep with or what they are wearing, it is distracting people away from the fact that most of music's charting artists are still men.

Jenn Wasner is tired of being a novelty. Women can play guitars and we are often pretty damn great at it. Can we dropped being surprised by this already?

Negative Gemini has a song dedicated to catcaller - Don't Worry Bout the Fuck I'm Doing"

Chris Brown continues to be human garbage and his publicist smarty refuses to accept his name calling.

And to end on a lighter note.

The chain of events went like this. The kick ass compilation Typical Girls includes a cover of the very strange but contagious '50s hit "Dumb Head originally by Ginny Arnell. I broke out the original single from my record collection and have been playing it a bit this week. This led to YouTube search of the song which uncovered this gem. WARNING, this song is an earworm so expect to be singing it for the rest of the day. Sorry/not sorry.

Here is the band Primetime covering the song in their own special, primal way.

This Joe Meek version rules! 

And the original. 

Throwback Thursday : Lunachicks

Bands like Kiss, The Stooges, and the Ramones never appealed to me as a kid mostly because it seemed like a boys club. I liked heavy music but by the late '80s most of the hardcore and metal scene felt almost exclusively made by men and for men. The audience included women however at shows women were rarely up front by the stage where the pit was often violent or targeted any girl who dare enter that frenzied male dominated arena. 

It was frustrating to like a style of music, have the same aggression and teenage hormones as the boys in the room, but still feel pushed to the back of the room and unwelcomed. It wasn't until 1990 that I discovered bands like L7, Babes in Toyland, STP, Hole, and Lunachicks who were the first women I had ever seen not just play heavy music but dominate it. These bands were a tight unit of girls that looked like a gang (minus Hole who had a male member) and I wanted to be a part of. They were tough, loud, could play their instruments, drank, spit, cursed, screamed, had tattoos, performed in filthy dark clubs, and proved to me that there was room in punk / grunge / metal for ladies too. 

These women all seemed fearless and each member took on a slightly different shade of rebellion so there was room to be as feminine, masculine, or anything in between you felt best fit you. This is the stuff of awe to a teenage girl who didn't think there was room for women in hard rock. Riot Grrrl was just starting to bubble up on the other side of the country so for those of us who were teens in the '80s looking for women to inspire us on a stage who were loud and angry, these were our heroines and they came first. 

The Lunachicks were perhaps the biggest influence to me because I could see them perform the most often. They were a New York City all female band who played NY and NJ relatively often from the late '80s through the '90s. I enjoyed that they played heavy / fast music and looked tougher than any guy I knew. I mean this was a band that looked tougher than any local male musicians I knew and they were heavily tattooed before this was cool or accepted in popular culture. Hell, one of the members was a tattoo artist, something incredibly bad ass to teenage me.  

Their vocalist Theo Kogan depending on her over the top theatrical costume choices could also rival an exoctic runway model. She could magically morph herself into any freak character, had a sense of humor, carried kitsch like an extreme version of the B-52s, but was still insanely strong. I had never seen a women present such a intense balance of feminine and masculine characteristics.

I worshipped the Lunachicks but sort of feared for my life in their presence too. It was a lot to process while I was in high school trying to feel comfortable in my own skin but they were the perfect storm of bold to give me the inspiration to join a band a few years later. They are also probably why I got my first tattoo as a senior in high school much to everyone's horror. They and L7 are also why I had dreads in 1990. They were also the first band to deliver a mosh pit that welcomed women which is something to this day I rarely see. Thanks ladies.