Throwback Thursday : A.C. Temple

Here is a little something I wrote about the band back in 2008.

Artist - A.C. Temple

Catalog
Songs of Praise 1987  - Further / Mute
Blowtorch - 1988 - Torso
Sourpuss - 1989 - Blast first (Jon Langford produced)
Belinda Backwards - 1991 blast first (and I am sure I am missing some!)

Singles :
Band of Susans split 7" 1989 - Blast First
Wedding Present split flexi 1993 Ablaze! Magazine insert

Hometown- Sheffield, UK

They are a perfect blend of so many genres and bands I love…only A.C. Temple was doing it before many of these newer groups. I was undeniably an old school emo indie rocker kid (still am I suppose minus the kid part) so my point of reference here is the early to middle years of Dischord Records. Some of the great guitar bands to come from San Diego like Pitchfork and Drive Like Jehu. The classic Chicago / Touch and Go sound. American and British variations of Riot Grrrl. Anything Sub Pop from the late 80’s up until the mid 90’s. UK and US 90’s shoegaze and last but not least the more slightly dissonant noisy groups like Sonic Youth.

In high school I didn’t know about groups like Lilliput, Kleenex, Delta 5, The Slits, The Au Pairs,Th' Faith Healers, The Raincoats….but I have discovered these artists between 1988 and now and still I wonder how A.C. Temple records didn’t make their way into my collection sooner. This band and their catalog of music is equally as poignant and pertinent as any of these other groups yet for some reason A.C. Temple never made it to the underground music hall of fame.

Does A.C. Temple really fit into the same musical family as ALL the groups mentioned above?

YES! (I suspect for some people this group might sound a little too derivative of that decade but they were ahead of their time damn it so be nice!)

Throw Back Thursday : Pylon

It doesn't get much better than this '80s Athens, Georgia band fronted by Vanessa Briscoe Hay. Their music is like brittle sticks snapping under rhythmic punches. There are guitar melodies but even the vocals accent beats as if they too are a percussion instrument. There is nothing extracurricular about their songs, every note and beat is measured and executed with a dancing precision. Imagine a small and powerful motorboat skidding through choppy, rough waters. This is what their pioneering sound reminds me of.

Their unique version of post punk was inspired by (and peers to) bands like the B-52s, Gang of Four, Television, and Talking Heads but in a decades time would become an influence to the next generations of bands like: R.E.M., Sleater Kinney, Deerhunter, LCD Soundsystem, Wedding Present, Life Without Buildings, Fire Party, and Love of Diagrams to name just a small handful of the artists.