Showing posts with label post-punk. Show all posts
Showing posts with label post-punk. Show all posts

Friday, August 12, 2016

The Rise, The Fall, and the Rise : Brix Smith-Start : A Book and My Heart Rate



WARNING! BOOK PLOT SPOILERS !

Fame. What's the point? It doesn't last. It doesn't guarantee money or respect. For every fan there is a reactionary hater. Being famous to some still means nothing to many others. It takes normal people and turns them into reclusive weirdos whose worlds are built around the machine that is trying to keep their fame alive for as long as possible. Their reality is ironically a false universe of people who mostly want to steal their light or ride their coattails. Strangers offer gifts that are actually disguised marketing schemes so businesses can align themselves with their aura of cool. When the fame bubble bursts (and it almost always does) these poor people are thrown back into the real world only to discover they are damaged goods with few real friends and zero real life skills. There is often no career plan B so next follows a depressing scramble to pay bills and rebuild a "normal" life. Fame. What a fucking terrible idea.

I would have said Brix Smith Start would agree but her story is an American marvel that has spread to other continents. She is a cat with 9 lives. She was born into a world of affluence, her rock and roll limelight timed out within a decade and yet she found her way back into the spotlight again in the most surprising of ways.

Some people don't seek fame, they are born with what I call shiny penny syndrome. People want to pick them up and stash them in their pocket. They glow from within like a jack o'lantern and people are naturally attracted to them. They stand out in a crowded room. People lean in when they speak just to be closer to their breath. They are catalysts to people's imaginations and desires. It is maddening to those who try to seek out that sort of magical existence because they discover it isn't something you can create or buy. Cool is a genetic freak accident only further fueled by money, style, and talent. Brix is one of those people. Like a moth to a flame, fame finds her.

Brix Smith-Start's story is the perfect balance of American dreams and nightmares. Her grandfather entered the country as an immigrant and amassed a fortune in California through hard work and innovation. A sun soaked and decadent life for his family was to follow. Financial privilege afforded her one of a kind opportunities (horses, Friar's club brunches, Beverly Hills shopping, housekeepers) but tied into that cost was also an abusive father eventually cut from her life, feeling like a causality of divorce with parents split between two states, and a revolving door of caregivers. An eating disorder complicated her already tense childhood. Huge things would be on the horizon for Brix but again good came along with the bad. Her teenage years brought drugs, sex, an introduction to the world of fashion, exotic travel, but also there was also brutal sexual assault. An elite college experience included a vampire bite that caused a serious infection (no really!) a bloody concussion, and an unwanted pregnancy. At this point we are only at the halfway through the book now and like a car crash you can't look away from, in walks Mark E Smith, the leader (AKA dictator) of The Fall. Here is a man that has dedicated most of his adult life to being a living, breathing, seething artist. One part drunk, one part poetic wrecking ball.

Each new chapter of The Rise, The Fall, and the Rise encourages me to curse. I have found myself wincing while muttering FUCK! or SHIT! The intensity and wildness of the first portion of the book is matched, no, surpassed by the second half. Her life gets stranger - something that seems nearly impossible. Overnight she goes from a fan of The Fall with minimal band experience to being not only a member of the band but living in England and married to Mark in a whirlwind that keeps swirling for much of the '80s.

Brix's entire story in wholly unbelievable and she articulates it in a manner that is like catnip to the curious. You will find yourself wondering how one person can fall (pun intended) into this many crazy situations. They seem to seek her out unlike the reality stars of today who fake drama and jump start headlines. There are endless run-ins and brushes with fame from fairytale royalty to the hard to pin down je ne sais quoi icons of hip usually associated with the likes of Lou Reed and Nico. From the ashes of a dead-end she rises time and time again. Her story is one of perseverance, survival, spirituality, and surreal luck.



Out of the hundreds of jaw dropping moments recreated in this book, one small paragraph still haunts me. Brix played on and helped write some of the most memorable and popular Fall albums yet she has never seen one cent of royalties from any of those records. When Mark E Smith walked out on her as a cheating husband, he also cheated her of rightful compensation. Yes, plenty of dirt dished in regards to their relationship in and out of the band but I think what is most surprisingly is her ability to forgive him and still see the good when most people in her shoes would have bludgeoned him to death with them.

A weaker individual would have come apart at the seams after the 10th bottoming out but Brix's star shine doesn't fade; she pops back to life like a trick candle whose flame can't be extinguished. She reappears in new bands, builds new career paths, becomes romantically entangled with a series of larger than life characters, and eventually ricochets back stronger than ever on UK television. I didn't know what to expect from this book but once I recovered from the shock of a world class roller coaster ride, I was left with hope and comfort. No life is perfect.We each cope in strange and wonderful ways to get by. It is reminder that around the corner isn't just more disaster or doom but occasionally things of true marvel, joy, and beauty. Just as easily as we can let others own us, we can take back our lives and make the impossible happen.

This books comes highly recommended and I have made you a playlist (18 plus hours!) of all the music she discusses in the book in chapter order.


Thursday, May 19, 2016

Remembering Marlene Marder

Everyone should get to know the guitar / bass playing Marlene Marder of the Swiss band Kleenex and then later, LiliPUT when the band was forced to change their name. The punk band existed from 1978 until 1983 and their discography will forever be celebrated as some of the best post punk around. The cause of Marlene's death has yet to be announced but I would rather focus on the gift of music she has left behind for us to enjoy anyhow. Thank you for paving the way Marlene.











Friday, February 19, 2016

Why I Am Heading to Athens, GA in 24 Hours

I never had the opportunity to see the mighty Pylon but this show sounds like a respectable plan B. Pylon vocalist Vanessa Brisco Hay is performing her songs with Athens musicians dubbed the Pylon Reenactment Society with Dressy Bessy as the opening band. Road trip!





And this first video was my introduction to them in high school.






Monday, February 8, 2016

São Paulo Death Rock : Rakta

Ratka says they are not trying to attach themselves to any specific genre (peace-punk, anarcho, death rock, goth, post-punk) however the group's desert island picks in a 2014 cvltnation.com interview were intriguing enought that I was inspired to check out their music for myself.

Q: A question I ask all bands: If you all were stranded on a desert island, and somehow magically had the means to play records, but could only take 5 records with you, what would those 5 records be?
Natha: Big Boys records and definitely Ramones.
Laura: Hahaha, maybe Cólera Pela “Paz em Todo Mundo” LP, Crass’s 7’’ EP “Nagasaki Nightmare,” Gauze’s “Fuckheads” LP, Las Otras’ “Devolver el Golpe” LP, and Ras Michael and Sons of Negus LP. Nyahbinghi compilation.
Paula: This is so hard. Om, “Advaitic Songs“; Pedro Santos, “Krishnanda“; Spacemen 3, “Playing with Fire“; Dead Can Dance, “Spiritchaser“; Pink Floyd, “Live at Pompeii.”
CarlaMelody Nelson, Serge Gainsbourg. Universal Consciousness, Alice Coltrane. Ramones, Ramones. Black Ark in Dub, Lee Perry. Garlands, Cocteau Twins. Future Days, Can.
Ratka's music definitely reminds me of an '80s crust punk band slowed down with a delay pedal and extra reverb to a speed better suited for slow motion head banging in a cave.



Thursday, January 28, 2016

Throwback Thursday : A.C. Marias

Looking back to 1989 when Angela Conway recorded an album for Mute Records on the name A.C. Marias. The collaborators for this remarkable piece of music entitled One of Our Girls (Has Gone Missing) include Bruce Gilbert of Wire (a band she had a long history of working with), Rowland S. Howard (Birthday Party), and Barry Adamson (Magazine / Nick Cave & the Bad Seeds) making this a must listen for those who have an interest in sparse, experimental post-punk with a dark cloud hovering over top.




Friday, January 22, 2016

2016 Favorite : Savages - Adore Life

The sophomore slump is real friends and it is a thing to fear. There is unimaginable pressure for a band when their debut album rockets out of the atmosphere into something close to stardom as it did for Savages and their 2013 release Silence Yourself.

Good news, Savages entered the studio and produced a fearless, nearly flawless new album. Adore Life is out today.

It is as if Patsy Cline has swaggered her way into a post-punk apocalypse with her heart exposed. The band's blood pumps fiercely like one body turning the sonic dirge of The Birthday Party into the kind of energetic siren heard on early Fugazi records.

I applaud a band that plays together as if it is having a meaningful conversation. They give each other space and yet there are swells where they come together to deliver a compact tidal wave of power. This is the kind of rare chemistry capable of delivering an atomic bouquet of blinding beauty.

The theme of the record often targets love but it isn't romance glorified; there is also angst and open concerns. When vocalist Jehnny Beth asks"Is it a demon or an angel?" on "When in Love", she is accidently describing the record at its core. It doesn't rest on safe middle ground. These 10 songs deliver the entire spectrum of darkness and light; bleak and dazzling all at once.


Thursday, December 10, 2015

Throwback Thursday : Bush Tetras

Active on and off since the late '70s, this NYC post punk band never got quite the same kind of attention as bands like Blondie, The Ramones, or The Talking Heads did. Here is their first single and one of the best known Bush Tetras songs, "Too Many Creeps" from 1980.

Side note, whenever I DJ this song, at least one person thinks it is Kim Gordon from Sonic Youth singing - without fail.