Showing posts with label Positive No. Show all posts
Showing posts with label Positive No. Show all posts

Tuesday, May 24, 2016

Tears of Joy

Photo by Jake Cunningham 
It can be alarming when a stranger approaches you at the merch table and breaks down in tears. This was my Saturday evening. I quickly discovered these were tears of joy. This woman went on to describe why the Beach Slang / Potty Mouth / Dyke Drama / Positive No line up was something she had waited decades to see. This rock show was not the usual a boys club, it was all inclusive. Women shared the stage with men as equals. LGBTQ musicians were front and center. The age of the musicians spanned between three different decades. There was so much love and respect on display between all the bands that it overwhelmed her. When a sexist heckler was called out and removed like a splinter by members of multiple bands from the venue, it was obvious the entire line up were allies to one another. It was a safe place. It was at atmosphere of overwhelming respect. The evening was how in her mind shows should have always been but sadly have rarely ever been. 

In short, this kind of line up is a very important step in the right direction of acceptance, tolerance, and equality.

For many of us who grew up going to shows in an oppressive environment where sexism, homophobia, and racism were the norm, this show is a shock to the system.  As a fellow middle aged women, I understood EXACTLY how she felt. I cried for joy with her. I expressed this later to other members in the various bands and cried some more like a sentimental fool. I have been waiting my entire adult life for this moment.

A lot can happen in two decades. Twenty plus years ago I was playing in a heavy indie rock band and I was so FUCKING lonely. 

It was straight white men as far as the eye could see. I met a handful of amazing women who came to see our shows but mostly it was a sea of dudes in the audience with no women sharing the stage with me. I felt like a freak of nature because I wanted to play loud music and be a part of this creative community without being a Riot Grrrl. In 1996 however you were either preaching to the choir in the bubble that was feminist music scene or you took your chances in a male dominated rock world that could be very cruel. If some men didn't walk out of the venue because a girl was in the band they would stick around to make fun of me and shout rude things. After shows I was treated like I had the plague. A lot of people were scared to make eye contact with a girl in a hardcore band no less befriend one or go out of their way to balance a show line up by booking a show with other women on a bill. I can't stress how humiliated this left me feeling. I honestly never cared if people liked the music I made, I just didn't want to feel like I was crashing a private sausage party all the time. I wanted to be given the space to be me, to create music, and given the equal opportunity to be heard. I am so thankful my fellow band members were willing to give me this safe place because the world outside them was often not nearly as generous to women.  

As a music fan who during some decades was seeing 10 to 25 bands perform a week, I can promise you my show going experience was more of the same. White men ruled and minorities were nearly invisible. If I wanted diversity, I would have to seek out a splinter scene show where these groups had created their own majority rule. For every outsider who felt pushed out of the mainstream world of music, there was a tiny subculture bubble and rarely did these worlds overlap and share a bill. 

Fast forward twenty years and nearly every show I play now includes bands with female members. In fact it is rare when that doesn't happen and if it is an all male bill, it feels wrong and dated. I still can't believe how different it is now. There is no longer a reason to feel lonely or like an outcast because women are more accepted than ever on a stage. I know it still isn't perfect out there. There are still assholes who say and do inappropriate things to women in bands but I promise you, it is 1,000 times better than it was. 

I am currently watching the LGBTQ music community facing many of the same barriers women did years ago and in turn they coping in the same ways to manage / fight that discrimination. It is only natural that insular communities are popping up to create safe places for themselves. Much like the activists among the Riot Grrrl community, they are creating insular worlds for themselves to perform within. I get it, I really do but I personally never wanted to cut myself off from the rest of the world. I want to celebrate diversity and learn from as many different kinds of people as possible. I feel stagnant when I surrounded myself by people just like myself. I feel richer, wiser, and like a more well rounded human being when I take the time to get to know everyone around me. This is why I stubbornly never let the boys club of the rock world win and don't want any of the other outsiders to give up.  It is important to push back and create a new normal. By sticking around, we forced people to accept that we exist in their world. We can't go away just because a few losers don't believe we belong here. 

We belong just as much as anyone else does in this world. 

I have however fallen into a new position of alienation. It is no longer my gender I feel set back by, it is my age. Music audiences want very little to do with someone over 40. There are so many outrageous and disappointing stereotypes that are associated with being older. I didn't work this hard to become invisible again. So here I am, an outcast all over again. I've got terrible news for the haters. I am still stubborn and I am atill not willing to go away. I will continue to make music because this is who I STILL am and whatever your preconceived notions of who is old and what that actually means should be reevaluated.  

I am still here so get used to it. 

Thank you Beach Slang, Potty Mouth, Dyke Drama, fellow members of Positive No, and those who came out to support the shows this past weekend. Those 48 hours gave me new hope.

Friday, April 1, 2016

Feminist Fridays: A Weekly Round-Up

Emily Flake entered my world through music. We slung records together at the independent music distributor Caroline what feels like a lifetime ago. She had always been a gifted cartoonist and illustrator, not to mention owning the quick wit of a comedy God, but she ditched the world of music sales to make art full time. The good news is her career choice has a really happy ending. Well not ending as Emily is still very much going as a member of the prestigious member of the New Yorker Magazine staff as a cartoonist. She is also in a current documentary entitled Very Semi Serious about "the humor, art, and the genius of the New Yorker cartoon. Her art is also featured in a ton of other publications including the New York Times, Wall Street Journals, MAD Magazine, and if that isn't ridiculously impressive, she has also released a hell of a funny book called Mama Tried.

On a personal note Emily is also married to one of my oldest friends John Pastore, another once upon a time Caroline Distribution employee and has most recently a part of Outer Battery Records (Sleep figure, Dino Jr, Chelsea Wolf, and Notwist to name a few releases).




Alice Bag, the original Riot Grrrl

Ted Talk : Why risk for women is worth it by Reshma Saujani  (hint: because trying to be perfect isn't possible)

Auntie Maureen makes a mean mix

Diamanda Galas terrifies me and I respect her for that. She is fearless, has a razor tongue, believes the music industry is dishonest, and just like her extremity in performance, she has many a bold opinion about composing music with integrity.

Cat (riona Sturton) power! She may sing like an angel and play like a beast but she is also incredibly down to earth, humble, and multi-taltented musician. I was fortunate enough to share a stage last year at Hopscotch Fest with Cat last year and was not only impressed with her live performance which is tender comedy as much as it is kick ass Blues, but damn this lady has stories. She was a member of Plumtree (Scott Pilgrim the comic & film was inspired by them/includes them), has worked for Dolly Parton, and her passion for poutine runs deep. Get to know this charming Canadian and enjoy getting to know this woman who rules the mostly male dominated harmonica blues scene.




Lita Ford gets real. I can't say this enough, BELIEVE WOMEN.

My band Positive No has a new song (yet to be recorded but is being played live now) called "Reinvent the Space". Our goal is to make our creative community safe and welcoming for all. We are playing a series of shows in the months to come (w/ Beach Slang) and we will be taking our BELIEVE WOMEN message to the stage in a serious way.

Music videos often objectify women but the new Blake Shelton video gets called out in a big way.

If you come across interesting reads, podcasts, or videos about women in the arts (especially music) - leave them in the comments section for me to check out!

Monday, January 4, 2016

My 2015 Favorites and End of Year Wrap Up

This is a repost from my other blog Lightning's Girl. While not all the artists below feature at least one female member, almost 75% of them do.

If you truly believe that there aren't any good modern day bands or great new records being made, you didn't try very hard this year. 2015 delivered an abundance of quality music. So much in fact that this might be the largest list of stuff I loved since I started making end of year best of lists two decades ago. I think playing in an active band (Positive No) has helped me stay on top of new music too but in the end, I will always call myself a music fan before I call myself a musician. Finding new music to fall in love with is an addiction I don't ever want to kick.

This Spotify playlist features 100 songs from a large variety of genres that I really loved this year. Not all of the artists on this playlist made my best of / end of year list below so they are two different beasts, great songs -v- great albums. 

Happy new year friends. 




Top 25
Sauna Youth DISTRACTIONS  (Upset the Rhythm) 
Whyte Horses - Pop or Not (self released)  
Dirty Ghosts LET IT PRETEND (Last Gang Records) *"Cataract" is my song of the year
Trash Kit - CONFIDENCE (Upset the Rhythm)**came out Dec 2014 / LP arrived in 2015
Sacred Paws 6 SONGS (Rock Action Records)
Desperate Journalist ST (Minty Fresh) 
Joanna Gruesome PEANUT BUTTER (Slumberland Records)
Love of Diagrams BLAST (Bedroom Suck Records) 
Novella LAND (Sinderlyn)
Annie Girl and the Flight BODIES (Annie Lipetz)
Viet Cong ST (Jagjaguwar)
Dilly Dally SORE (Partisan Records)
The White Birch THE WEIGHT OF SPRING (Glitterhouse Records)
Doe FIRST FOUR (Old Flame Records)
Soko MY DREAMS DICTATE MY REALITY (Babycat records) 
Shopping WHY CHOOSE (Fatcat Records)
Soak BEFORE WE FORGOT HOW TO DREAM (Rough Trade Records Ltd) 
Julia Wolfe ANTHRACITE FIELDS (Cantaloupe Music)
Boogarins MANUAL (Other Music)
Chain of Flowers ST (Alter)
Pinkshinyultrablast EVERYTHING ELSE MATTERS (Club AC30)
Hurry Up ST (Army of Bad Luck Records)
Wand GOLUM (In the Red Records)
Infinity Girl HARM (Topshelf Records)
Eternal Summers GOLD AND STONE (Kanine Records)

Other Favorite Records
Terrible Truths ST (Bedroom Suck Records) 
The Leaf Library  DAYLIGHT VERSIONS (Where it's at is where you are)
Salad Boys METALMANIA (Trouble in MInd Records) 
Cloakroom FURTHER OUT (Run For Cover Records)
Menace Beach RATWORLD (Memphis Industries)
Gnoomes NGAN! (Rocket Recordings)
Kagoule URTH (Earache Records Ltd)
No Joy MORE FAITHFUL (Kemado Records) 
Wildhoney SLEEP THROUGH IT (Deranged Records) 
Swervedriver I WASN'T BORN TO LOSE YOU (Cobraside)
Death and Vanilla TO WHERE THE WILD THINGS ARE (Fire Records)
Jacco Gardner HYPNOPHOBIA (Polyvinyl)
Noonday Underground BODY PARTS FOR MODERN ART (Hands Full Records)
Cold Beat INTO THE AIR (Crime on the Moon) 
Eerie Summer - THE WAY I DON'T UNDERSTAND ANYTHING ANY MORE (self released) 
Youth Lagoon SAVAGE HILLS BALLROOM (Fat Possum Records) 
Julia Holter HAVE YOU IN MY WILDERNESS (Domino Recording  Co Ltd) 
C. Duncan ARCHITECT (Fatcat Records)
Ghetto Ghouls COLLISIONS (Self Released)
Knife Pleats HAY BARK BEACH (Where it's at is where you are)
Jeff Bridges SLEEPING TAPES (Squarespace)  
Myrrias ALL ALONE (self released)
Bjork VULNICURA STRINGS (self released)
Beach Slang THE THINGS WE DO... (Polyvinyl Records)
Protomartyr THE AGENT INTELLECT (Hardly Art) 
The Spook School TRY TO BE HOPEFUL (Fortuna Pop)
Intelligence VINTAGE FUTURE (In The Red Records)
Sextile A THOUSAND HANDS (felte)
Killing Joke PYLON (Spinefarm)
Sumac THE DEAL (Profound Lore)


Reissues / Collections:
Oz Brazoes ST (Som Livre) 
Annie Philippe - SENSATIONNEL! - Ace Records
Guerre Froide ST (Born Bad Records) 
Va CRIMINALE VOL 3 & 4 (Goodfella)
Marie et les Garcons 1976 - 1979 (Ze Records)
Va LIBRARY OF SOUND GROOVES / OBSCURE PSYCHEDELIC MANUSCRIPTS FROM THE ITALIAN CINEMA (Semi-Automatic Records)

Assorted Favorite 2015 Moments:
Being featured on Apartment Therapy
Playing Brownies one last time (Hi-Fi Bar) 
Favorite show I played was @ Bathtub Republic in DC
Harrisburg, PA / Little Amps - secret weapon of a DIY show space and great coffee / people.
Peep Show final season (Favorite show of all time) 
Twin Peaks DJ set to cast members Mrs. Briggs and Lucy
Beach Slang live / seeing Jim some 20 years post Weston 
Live: Mutoid Man / Child Bite live at Gwar-B-Q (Gwar Bar is also a favorite place of 2015) 
Dynamic Truths reunion show @ The Answer
Asbury Park, N.J. Pinball Museum
Beaufort, SC - who knew?  
Supreme Court ruling making same sex marriage legal
Loretta Lynch as Attorney General
U.S. and Cuba make nice
Strangeways Tirami'zu Brew Rum Barrel Aged Porter  
Master of None for its stellar music supervision
DJing with Bob Nastanovich in the name of charity

This band doesn't have much of an online presence so here is a video from one of the best records I purchased this year. 


Monday, November 30, 2015

Fighting the Good Fight

Did you know that fewer than 5% of record producers and sound engineers are women? How about that when you review a huge festival line up, the number of women headliners of the bill make up for maybe one tenth of the line up? The numbers are discouraging when it comes to women verse men in the music industry however more and more women are working hard to change that number.

Antye Greie-Ripatti inspired by a 2015 interview with Björk who openly described women's role in music as "unacknowledged" and "uncredited" from personal experience, launched a Tumblr page called female:pressure  that gives visibility to female producers, DJ's, media artists, and electronic music performers at work. The idea is that the more of us there are documenting our work and celebrating the work of our female peers is to remind people that women making music is normal and happening daily all over the world.

For more statistics of women in the music industry, go here. If you are making music behind the scenes and feel comfortable sharing images of it, you should post them on your social media pages and or pass them along to sites like female:pressure to share with their readers. As I write this I am reminded that I need to do this more too as I often record at home and never think to document this part of my writing process. I intend to practice what I preach.

I am far from technical when it comes to getting down my ideas for a new song. I have a PC and use a program called Mixcraft 5 to record my vocal rough drafts for Positive No and have also used this program to write whole songs electronically for my solo project Ringfinger.